100 years after her birth, Ingrid Bergman gives her blessing to the Cannes Film Festival every day from her portrait in its official poster. A documentary with access to her huge archive reveals the woman and mother behind the star.
Paolo Sorrentino after his Oscar with «The Great Beauty» returns to Cannes with another masterpiece. So majestic that it may become a timeless classic. But also so simple that you know it will remain a personal favourite.
Whatever Asif Kapadia’s ‘ documentary about Amy Winehouse was going to be, it would have made us cry. And it did just that.
Once upon a time Nani Moretti made personal, tender, interesting films. Not anymore.
Woody Allen explores once more his favourite theme, that of the perfect crime, this time with an existential starting and ending point, and the excessively unbearable lightness that inevitably characterises each of his new films.