Author Archives: Yorgos Krassakopoulos

FESTIVALS NEWS REVIEWS

Cannes 2015: Building a life and a family from scratch, in Jacques Audiard’s “Dheepan” (review)

By Yorgos Krassakopoulos on 24 May 2015

Without any intention of easy sensationalism, Jacques Audiard returns with another illustration of meaningful, mature, great cinema with heart and strength.

 

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Cannes 2015: One shot makes the difference in Michel Franco’s “Chronic” (review)

By Yorgos Krassakopoulos on 23 May 2015

Tim Roth is excellent in an intriguingly enigmatic film that shoots itself not in the foot, but in the head with its final scene.

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Cannes 2015: Valérie Donzelli’s “Marguerite & Julien” concerns Marguerite, Julien and probably no one else (review)

By Yorgos Krassakopoulos on 20 May 2015

Loosely inspired by the true love story of two siblings and a scenario that once Truffaut wanted to make into a film, Donzelli’s attempt is probably the answer to why this had never happened.

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Cannes 2015: The lives of people in a China that changes in “Mountains May Depart” (review)

By Yorgos Krassakopoulos on 20 May 2015

Ambitious but also familiar, emotional but sketchy, Jia Zhangke’s film conceals the seed of a possibly great movie. But it is no such thing.

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Cannes 2015: “The Brand New Testament” pits itself against God (review)

By Yorgos Krassakopoulos on 19 May 2015

Jaco Van Dormael’ s film is an imaginative and mostly enjoyable satire starring God himself, or rather his daughter, but with the film’s real subject being the humans.

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