Without any intention of easy sensationalism, Jacques Audiard returns with another illustration of meaningful, mature, great cinema with heart and strength.
Tim Roth is excellent in an intriguingly enigmatic film that shoots itself not in the foot, but in the head with its final scene.
Loosely inspired by the true love story of two siblings and a scenario that once Truffaut wanted to make into a film, Donzelli’s attempt is probably the answer to why this had never happened.
Ambitious but also familiar, emotional but sketchy, Jia Zhangke’s film conceals the seed of a possibly great movie. But it is no such thing.
Jaco Van Dormael’ s film is an imaginative and mostly enjoyable satire starring God himself, or rather his daughter, but with the film’s real subject being the humans.
