Unfortunately and no matter how hard we tried to isolate some good moments, forgive transgressions, even think that Gus Van Sant might have had something in mind that we simply could not see for two hours, “The Sea of Trees” is a film that should not carry his signature, let alone participate in the Competition of the Cannes Film Festival.
Woody Allen explores once more his favourite theme, that of the perfect crime, this time with an existential starting and ending point, and the excessively unbearable lightness that inevitably characterises each of his new films.
For the third consecutive year Sala Web, the web theatre of Venice Film Festival, will once more provide a unique opportunity for professionals and audiences both to screen selected titles from the 71st edition of the Mostra from the comfort of their own computers, and from anywhere in the world.
Take a look at the first photo of Athina Rachel Tsangari’s follow up to “Attenberg”.
For those familiar with Athanasios Karanikolas’ film making, ‘At Home’ is a natural continuation of ‘Ellie Makra – 42277 Wuppertal’ and ‘Echolot’. The director’s cinema is based on details, the thin lines of the strongest human emotions and a penetrating gaze that balances between documentary and fiction – here in its most complete and moving form yet.